Showing posts with label community. Show all posts
Showing posts with label community. Show all posts

Monday, May 13, 2013

letter to Guelph City Council, re: anti-music noise bylaw

Hello,

Having read about Guelph’s new noise bylaw in the Guelph Mercury, I cannot remain silent on this issue of community silence. As a past member of the music industry who currently studies art and culture professionally, I must say that I was quite thoroughly appalled when I read about the bylaw clause forbidding “the operation of a radio, television, stereo or other electronic device including any amplification device, or any musical or other sound-producing instrument” in residential and mixed-use areas. Surely it is not the wish of Guelph city council to censor all musical activities within city limits, for such a desire would not only prove itself illogical and untenable, but would be a serious impediment to the quality of life in Guelph, as throughout recorded history music has served as one of the principal means for the joyous expression of the spirit of humanity. Furthermore, banning human noise production in residential areas will disallow children from a musical education. If people cannot teach themselves how to play an instrument in the home, where do you expect musical crafts to be honed and perfected? While it is true that studio rental spaces may be available to aspiring musicians, renting space to learn musical performance and composition is exceptionally expensive and will result in the consequence that only affluent children will learn music. The educational benefits of participation in musical appreciation and performance [see article from Scientific American, linked below] will be restricted to wealthy families in Guelph. To learn how to play any instrument at the “concert” level requires thousands of hours of daily practice; obviously if such practice cannot occur in the home, then such practice will not occur. Given the implacable nature of the human spirit relative to its own expression through art, however, it’s much more likely that the noise bylaw will simply be ignored by most residents. Policing costs along with property taxes will increase as more and more people are harassed in their own homes by police seeking to shut down five friends with a stereo or teenagers making hiphop in a garage. Many residents will purposefully break compliance with the bylaw, and if I lived in Guelph I would certainly and happily be one of them.

More importantly, however, what is the actually purpose of the new bylaw? To what end are the lives of Guelph residents improved by the imposition of silence? Silence has not been enshrined as one of the driving forces of civilization (in fact noise is the marker for civilization), and has not been codified as a fundamental human right in any modern legal jurisdiction. But of course, Guelph residents won’t suddenly be without noises: traffic, people talking, construction, industry, daily commercial activities – all of these noises will continue unabated. What privileges the noise these activities produce over the concerted (and if they are talented, poetic) expression of a person with a trumpet or a guitar? As an aside, I noticed that the real noisemakers which pollute residential neighbourhoods are all exempt from the noise bylaw: lawnmowers, leaf blowers, power saws, power washers, compressed air machines, generators, etc. Surely the noises these machines produce, often very early in the morning, are far more obnoxious than is a car stereo or a child singing into a microphone. I cannot help but consider that the current Guelph city council members think it more important that the rights of residents to watch their evening reality shows and pretend through silence that the rest of the world doesn’t exist is superior to the rights of individuals to pursue and explore the fascinating potential of their own existence as reflected in musical expression. While in The Republic, Plato did in fact ban music from his political utopia, such censorship should not reasonably be expected as a component of an enlightened 21st century democratic jurisprudence.

Music is ornamentation for time in the same way that painting and architecture serve as ornaments for space. Indeed, music is a celebration of life against the inevitable closure of death, the silent end-of-time in which we must all ultimately find our peace. People who regularly practice musical composition and performance enrich their intellectual abilities and their capacity for learning. Due to the newly-passed noise bylaw, Guelph will be a city with less capacity to placate and enlighten the distempered soul as it passes through life. I am certain that the residents of Guelph will not abide such inhuman and illogical attacks on artistic expression within residential areas. It heartens me to see the increasing prominence of the art community in Guelph, as it is they who will surely lead the protest against the insanely unhuman, unnecessary, and illogical noise bylaw which City Council has just passed. Hopefully, council members will see the folly of this bylaw and reverse or remove the new amendments, lest their careers be defined in terms of the inhuman silence they illogically imposed on a community.

Regards,

--
qzh

PS: an article in the popular journal Scientific American about the pedagogical benefits of musical participation: http://blogs.scientificamerican.com/science-sushi/2012/08/21/even-a-few-years-of-music-training-benefits-the-brain/  . A full bibliography outlining such benefits as listed in numerous peer-reviewed academic studies can be made available to Council upon request.

Friday, April 22, 2011

politics is not the time for team sports



For a game with such grand significance, politics sure is complicated isn’t it? Here we are with another election and our five teams have taken the field. Do you support red, orange, green, french, or blue?

In the various media, we hear opinions about who we should support and how doing so will serve the greater good of the country. Most of what is expressed avoids rational argument in favour of emotional commitment. However, one message particular to this election is often discussed in the popular media, although the significance remains debatable. In this capacity, I join the chorus of dissent against the governance of the Progressive Conservative party. Under Harper’s leadership, the foundation of the Conservative ideology has shifted. The party has gone from attempting to maintain the fiscal and operational integrity of Canadian institutions to one which in attempting to pass ideologically-motivated legislation seeks to undermine those very same institutions.

Despite the numerous controversies which Conservative actions have created, I have noticed a disturbing rhetorical trend in conversations with friends and acquaintances who are planning to support the Conservatives on May 2. Usually the debate will begin when I question them as to why they want to vote for their Conservative MP. The answer they provide is always about Stephen Harper. He’s better than the other leaders, they say. I’ll point out that Conservative policies have entirely betrayed the fiscal responsibility which the Conservatives unwaveringly champion. Some of the Conservative supporters to whom I speak recognize this problem. They also frequently disagree with the social, environmental, foreign-affairs, law enforcement, and human rights policies which the Conservatives have promoted or legislated for over the last five years.

Invariably, I am saddened at the end of our chat. After I have presented – to the best of my graduate-school-trained abilities – rational, empirical data which proves with little doubt that what the Conservatives say about their position on the economy or health care or crime is wrong, supporters will respond “Ya, I know. But I can vote Conservative without supporting all of their beliefs. It’s important to show your support. And anyway, our leader is better than yours.” Fuck, here we go.

Politics is different from sports, where faith unsupported by reason has no consequence. Let’s say that you are a Leafs fan. Year after year you pour money, time, and tears into your team they still end up one of the worst teams in the league. Fans are clearly being gouged with high ticket prices while the owners and management enjoy the massive financial success of the team. Regardless of data which clearly demonstrates the futility your remaining a fan, you will likely continue to support the team. Frankly, nothing really that bad happen in the world when a shitty sports team being supported. After all, at the end of the day it’s just a game on TV. Even when the Leafs play terribly year after year and show little interest in improving their game in order to provide their cheering fans with actual results, you can hold your head up high and say “The Leafs are the best team in the league.” No harm, no foul.

With politics, another game is being played, even though like hockey it is largely a phenomenon of television. If a shitty political party maintains its support, then harm will in fact be done. Under the Conservatives, for example, institutions will likely disappear in the name of “cutting the fat” and “reducing taxes”. The cost of living will raise for the poor and the middle-class, while the services available to them decline or disappear. Pubic wealth represented by institutions such as education and health care will be diminished while private wealth will be enriched as corporations take over governmental services and raise prices to generate profits.

It is a predictable irony that a government in the age of transparency demands the privilege to conceal itself from the public, and one which should not be tolerated. History has taught that such privacy is the endgame for morality in governance. Frankly, it’s time to stop supporting the notion of a singular prime minister leading the country to greatness. Canada is a Parliamentary democracy, not a Prime Ministerial one. By this I certainly don’t mean to diminish the office of the Prime Minister. I mean to suggest that there is an element to Quebec politics that all of Canada needs to learn. Quebec tends to elect strong parliamentary representatives to represent their interests in parliament. It is time for Canadians across this country to support their parliamentary officials, and not listen to any Prime Minister who views parliament with contempt. If this means that you honestly vote Conservative, fine. But know that the Conservatives have demonstrated that won’t play with parliament and that they find the opinions of Canadians as represented by the politicians to be irreleant to governance.

Wednesday, November 17, 2010

talking on james street north, episode 4


talking on james street north, episode 4 from Quintin Hewlett on Vimeo.


In November of 2005, I formalised an informal talk amongst artists, writers, activists, and community organizers. Issues discussed included gentrification and economic development, the purpose of a life in and with art, the experiences of running an independent gallery, the politics of community, and the community of politics.

The participants for this episode are Jeremy Freiburger, Matt Jelly, Dane Pederson, Quintin Hewlett, Andrea Carvalho, Matt Teagel, Steve Mazza, and Gary Buttrum.

camera + sound, p + c = qzh 2005

Tuesday, November 16, 2010

talking on james street north, episode 3


talking on james street north, episode 3 from Quintin Hewlett on Vimeo.


In November of 2005, I formalised an informal talk amongst artists, writers, activists, and community organizers. Issues discussed included gentrification and economic development, the purpose of a life in and with art, the experiences of running an independent gallery, the politics of community, and the community of politics.

The participants for this episode are Jeremy Freiburger, Matt Jelly, Dane Pederson, Quintin Hewlett, Andrea Carvalho, Matt Teagel, Steve Mazza, and Gary Buttrum.

camera + sound, p + c = qzh 2005

Monday, November 15, 2010

talking on james street north, episode 2


talking on james street north, episode 2 from Quintin Hewlett on Vimeo.


In November of 2005, I formalised an informal talk amongst artists, writers, activists, and community organizers. Issues discussed included gentrification and economic development, the purpose of a life in and with art, the experiences of running an independent gallery, the politics of community, and the community of politics.

The participants for this episode are Jeremy Freiburger, Matt Jelly, Dane Pederson, Quintin Hewlett, Andrea Carvalho, Matt Teagel, Steve Mazza, and Gary Buttrum.

camera + sound, p + c = qzh 2005

Sunday, November 14, 2010

talking on james street north, episode 1


talking on james street north, episode 1 from Quintin Hewlett on Vimeo.


In November of 2005, I formalised an informal talk amongst artists, writers, activists, and community organizers. Issues discussed included gentrification and economic development, the purpose of a life in and with art, the experiences of running an independent gallery, the politics of community, and the community of politics.

The participants for this episode are Jeremy Freiburger, Matt Jelly, Dane Pederson, Quintin Hewlett, Andrea Carvalho, Matt Teagel, Steve Mazza, and Gary Buttrum.

camera + sound, p + c = qzh 2005

Thursday, August 05, 2010

The Hamilton Tiger-Cats are running scared




I am a regular supporter of the TiCats, and dreamed of playing on the team through my football-playing youth. I plan on attending this Saturday's game, and look forward to a Cats victory.

However, I am deeply saddened by the manner in which the TiCats organization is bullying the city over the new stadium. I have lived for most of my life in this city, and have worked diligently in the arts and education communities to help the city to succeed. The East Mountain stadium is a step in the wrong direction, for numerous reasons having to do with the quality of life in the city, the continuation of the revitalisation of businesses downtown, and the need for our social infrastructure and development plans to move away from the 'sprawl' mentality which is completely unsustainable.

I noticed that a 'rally' is being held today at Carmen's banquet centre (who would be the only beneficiaries from East Mountain outside of the TiCats). However, it seems that this is a limited seating event which required an RSVP. Such does not a rally make, but rather an instance of people agreeing with each other without having to face opponents. The East Mountain plan was pushed through at the last minute to sideswipe City Council and avoid debating the severe shortcomings of the proposal relative to the City's interests. Furthermore, the TiCats have not provided empirical figures demonstrating that West Harbour will fail. Consequently, the only conclusion a reasonable person can reach is that the TiCats are scared of allowing the benefits of East Mountain to speak for themselves. Instead, they use bully tactics to get their way in the face of concerted grassroots opposition. Their way IS the highway in this instance.

Personally, I feel that the Stadium would be best located near Confederation Park. Given the options of East Mountain or West Harbour, the residents and city of Hamilton will only benefit from West Harbour. The reason that the TiCats want East Mountain is so that they can monopolize the incidental profits from games -- parking, concessions, merchandise, etc. Public money will be spent on the stadium, and it should not be used to support private industry in this manner. Public money needs to be spent in the interests of the public. The public is interested in West Harbour.

Our City Our Future

Thursday, April 08, 2010

deposition at city hall, re: location of new ivor wynne stadium

Good morning,
As council prepares to vote on the location of the Pan Am Stadium, I feel the necessity to add my own voice to the debate. What began as a relatively benign process has since divided many of Hamilton's residents. Community activists and grassroots organizations have united to support the West Harbour location as they believe the revitalization of the downtown to be of principal importance for Hamilton. Supporters of East Mountain state that the Hamilton Tiger-Cats cannot play in a downtown location, but require parking spaces and a concept called 'highway visibility'. Before I come to my own conclusions about the matter, namelay that downtown visibility is of paramount concern to the city of Hamilton, I wish to state where I came from and to where I plan on going.
Despite my relatively youthful appearance, I have lived and worked in Hamilton for twenty years. After having taught at Mohawk, Columbia International, and Sheridan colleges for several years, I have chosen to pursue doctoral study at York University. When i mention this last fact to people, their common reaction is to inquire as to why I do not live in Toronto. My response is always the same -- I am involved in the local arts and music communities, most of my friends live here, apartment rentals in Hamilton are very reasonable, and I can commute to Toronto using the GO bus and train service. In fact, it is cheaper for me to rent here in Hamilton and pay for a monthly GO bus pass than it is to rent an apartment in Toronto.  I do not drive in Hamilton, but prefer to ride my bicycle for leisure and business transportation, and log roughly 5,000 kilometres each year on the streets of Hamilton. As a side note, it would have been nice for the City Hall renovation to have included a bike rack somewhere, as right now riders have to lock their vehicles to the front stairs. While I commute on the bus, I am able to read, write, and do much of the work for my profession. Downtown, I attend world-class independent music and art shows, shop at the Farmer's market, and eat at the local restaurants.
I say this not to place myself on any kind of pedastal, but rather to indicate how it is possible to live in a sustainable manner in Hamilton right now, without LRT or the GO train expansion, without a decent or even functional network of bike lanes, and without a "marquee" attraction in the core. Right now, I will admit that I am an exception, but I can only imagine how many people will work and live as I do when Hamilton realizes the development plans indicated in Hamilton’s development vision as contingent with the West Harbour Stadium project. A revitalised downtown will serve as a billboard for the city, increasing the visibility of the city as a whole and not just the corporation who names the stadium.
In the media, I am continually told that my living and working habits represent a sustainable future. I do not want to live in the suburbs, but rather find solace within bustling urban centres where diversity and human interaction are encouraged. The reason that I like downtowns of cities is that they are multifunction and polyvalent spaces which support a diverse array of human cultures. In development terms, they act as cultural and economic multipliers. Hamilton is a plucky little city. Despite our poor national reputation, culturally we punch above our weight. Time and again we hear from outsiders and media pundits that this is a dirty industrial town which presents little more than blight and hoardings to the potential visitor. I, and others like me, are determined in our efforts to ameliorate life in this city, and we do so not because we see potential, but rather because we see results. We see this city as a centre for film and television production. We see this city as a musical hotbed not because of a Canadial Idol win, but because of decades of influential work by Hamilton's independent music scene. We see a city which has large residential areas containing some of the most beautiful houses in the province. We see a city immersed in the natural beauty of the escarpment and the harbour.
However, I am deeply saddened by the manner in which the TiCats organization is bullying the city over the new stadium. As a football player and fan, I know what a blitz is. I also understand that some metaphors need to remain on the field, as they do not translate to enlightened development plans. I have lived for most of my life in this city, and have worked diligently in the arts and education communities to help the city to succeed. The East Mountain stadium is a step in the wrong direction, for numerous reasons having to do with the quality of life in the city, the continuation of the revitalisation of businesses downtown, and the need for our social infrastructure and development plans to move away from the 'sprawl' mentality which is completely unsustainable.
As a city, we need to mature into a community with confidence. As such, we cannot allow the history of the Hamilton Tiger-Cats to dominate the present. As Bob Young’s recent letter to the the Mayor indicates, the TiCats are a business interest. They exist to make money for their owners, and not to add to the cultural legacy of the city of Hamilton. Perhaps if like the Green Bay Packers the TiCats were publically-owned, then we could consider their interests as more important than they are. Too long we have bent to corporate and business forces. After being abandoned by US Steel, Labatt, Siemens, Camco it is time to understand that businesses are not beholden to the community in which they operate, despite their claims to the contrary. Never was there talk to confer $100 million in public funding to such companies, but here we are debating that exact subsidy for the Tiger-Cats. It is true that the Cats have a storied history, and grew along with the city. We should not blind ourselves to the fact that it is fully possible for the TiCats to leave Hamilton at any point, including after the stadium is built and operational.
We have a bit of a history of hurrying our development decisions without allowing for the occurrence of a proper civil debate. As the most recent example, we have a Red Hill Expressway which has come to serve the dual function of being both a highway and a water theme park. On a much lesser note, we redeveloped City Hall without adding bike racks, and so people like me are forced to use the front railings. The East Mountain plan was pushed through at the last minute to sideswipe City Council and avoid a debate about the severe shortcomings of the proposal relative to the City's interests. Furthermore, the TiCats have not provided empirical figures demonstrating that West Harbour will fail, beyond simply stating that they will lose money. Consequently, the only conclusion a reasonable person can reach is that the TiCats are scared of allowing the benefits of East Mountain to speak for themselves.
Instead, they use bully tactics to get their way in the face of concerted grassroots opposition. Contrary to what some of our provincial representatives have recently stated, East Mountain is not a Place to Grow. Communities do not grow beside highways; parking lots, strip malls, and big box stores do. Such companies and corporations serve to siphon money out of communities as company and shareholder profits. The only legacy of East Mountain outside of the benefits which will be monopolised by the TiCats will be a number of minimum-wage retail and service jobs. Any other outcome is disingenuous to the citizens of Hamilton.Their way IS the highway in this instance. Personally, while I would love to see the Future Fund money spent on other more important projects, I would rather that we remediate brownfield sites in the heart of the city rather than pave over a farmer’s field and commit to a mistake for the 21st century.

Thank you for your time.

Sunday, February 01, 2009

Christina Sealey and Richard Oddie -- Living Spaces: Imagining Hamilton



Art Gallery of Hamilton
January 24 to May 18, 2009

Christie Sealey is well-known for her intimate and expressive portraiture work. Since she and collaborator Richard Oddie have been residents of Hamilton their entire lives, it was only a matter of time before the city itself became her principle subject. Her new exhibition at the AGH examines the city as a constellation of subjectivities. She juxtaposes the intimacies of a moment, usually with another person but also with the environment of the city itself, with a sense of alienation and introspection. Her depiction of the 401 highway as it frames Cootes Paradise is particularly noteworthy, as is a portrait of a young woman seen reflected in the small mirror of a dilapidated washroom. Through her work, Sealey suggests the question am I really all of the things that are outside of me?

In addition to the paintings, the exhibition includes audio work that Sealey constructed with Richard Oddie. Interviews with many of the city's residents are layered with location recordings from around the city to produce an audio program that invites narrative supposition.

For more information, please refer to the Art Gallery of Hamilton webpage.













Friday, October 31, 2008

New Harbours Music Series 2008 "Trailer"


New Harbours Music Series Trailer from Quintin Hewlett on Vimeo.


A summation of the musical performances featured at the Spring 2008 New Harbours Music Series.

Performers include Orphx, Polmo Polpo, Michael Snow + Matthew Boughner, Slither.

handheld camera, ambient sound + lighting


P + C = Orphx, Polmo Polpo, Michael Snow, Matthew Boughner, Slither, qzh, Throwaway Digital (2008)

A nicer version of this video is available from Vimeo.

Thursday, July 24, 2008

Larry Di Ianni and QZH talk Liberally for 90 minutes

Quintin Zachary Hewlett: First of all, I want to thank you for meeting with me. I wasn’t sure that you would want to afford my questions after our email exchange. Let’s just leave the past where it is – I am not going to bring up Red Hill or any other bugbears. Let’s just get to the Green Shift plan. I like it, and I have to say that for the first time in my life I’m considering voting Liberal.

Larry Di Ianni: Thank you. Hopefully you will like what I have to say. Well, at any rate I’ve come to appreciate the plan. When it was first being talked about, I thought Oh Gosh, how confusing is this? People are going to be totally confused by it. All of the stuff that you hear, that this is not the time, the economy’s bad, energy prices are going up. In fact, this is the answer. This is not the problem. It really is the answer, so I’m quite enthused about it.

QZH: Is that the primary problem that the Liberal Party is faced with? Essentially a PR campaign about this plan?

LDI: Well, I don’t know if it’s a public relations campaign, although PR is always part of politics. Or, at least getting the message out, which is how most politicians would put it rather than public relations. But certainly informing people and dealing with some of the myths. The Conservatives after seeing the plan have ridiculed it. I was sort of offended, personally, by their reaction.

QZH: I’d like to focus on the latter part – we’ll deal with that shift in a second. I think there’s two aspects of it which are important. One of which you just mentioned: the shift in taxation, and I’d like to get to specifics about that. But just before that I’d like to deal with something that’s perhaps on the minds of Hamiltonians more so than those from other large municipalities. Shift of course invokes cars, invokes transportation. There’s a mall in Oakville, one of the larger ones, and there advertising campaign is “Shift into High Gear”, and they have luxury items on display. Of course, you have to drive out to the mall, there’s no real transit to get there otherwise and it’s not near any residential areas. I’m wondering specifically for Hamilton, which is very much predicated on the highway model and has been for a long time – you just have to look at King and Main streets, and from an infrastructure point of view the rapid transfer of people using individual [automobiles] is the ideological framework for this city’s development. I’m wondering very specifically about the Infrastructure Surplus commitments in the Green Shift, how can Hamiltonians very specifically and Canadians in general come to understand that this fund is not necessarily going to go to highway development but instead to mass transit, which is so required for Hamilton.

LDI: Let me refer to this simple and useful book...

QZH: It’s well-produced. I read it.

LDI: Have you read Dune?

QZH: The Frank Herbert series? Yeah. Actually, when I was about six, I went to see the bad David Lynch version of it in the theatre. Disappointing.

LDI: The novel was better.

QZH: Well, [oil] is definitely our spice, and there’s no easy way to get off of it. Considering that costs are going up almost exponentially, and they’re not going to go down. A good indicator for this can be seen in the tarsands, because while most of the tarsands is deemed “industrially-recoverable”, it’s only deemed recoverable when oil reaches a certain price point.

LDI: When I was a kid, we were talking about the tarsands. This is generations ago. We’ve got oil galore, it’s just too expensive to retrieve it. Once the price reaches a certain level, it will be economic and we’ll have oil coming out of our you-know-whats. We’re at that point now, and the fact that we can make it an economic reality means that things have gotten to an exorbitant level. And then, we weren’t thinking of the environmental impact.

QZH: We’re still not really thinking about the environmental impact.

LDI: Yes we are! The Green Shift certainly thinks about that. [laughs]

QZH: Well, again I hope that it is legitimate. I do believe in Dion, however.

LDI: A decent man. I got to know him last year. I don’t know him well, but we’ve been at many functions together and we’ve had a few chats. He’s chalk full of integrity, very bright, thinks well on his feet. He answered some tough questions at a function a week or so ago about with humour and good solid information. But he’s not a sound-bite type of guy.

QZH: That’s the problem with having knowledge and integrity: you don’t fit the media.

LDI: That’s something that you either have or you don’t perhaps. But I’m hoping that people can see beyond that. That there’s a man with substance here. And there’s strength; he’s not a weak man. I read a biography on him he’s an interesting individual because of his background. How he grew up, the influence of his father, how his own thoughts were gelling as things were developing in Canada. Nationalism was flourishing in Quebec City where he grew up. And he took some principled stands in very much a Captain Canada way. He told separatists that they were not going to break up the country on a whim; there were rules for such things and [Dion] implemented those. He was reviled by the separatists in Quebec because of that, because he made it difficult and you couldn’t fudge things any longer. I quite like him, and I hope that Canadians give him a chance. I hope that they see the integrity in him and the passion. When I was mayor, I went to a sustainable cities conference in Montreal. It was great, and they had environmentalists from all over the world, it wasn’t just Canadian folks.

QZH: Who flew in on their jets...

LDI: Well yes, they had to get there and they were from all over the place. But they’re sincere people.

QZH: Yes.

Complete transcription available here.

here's the audio for the conversation:

Larry and QZH

Saturday, June 14, 2008

The Urban Moorings Project



Hamilton’s art community has a vibrant history of engaging with public installations. When dislocated from the antiseptic confines of the art gallery, art becomes more fluid and more of a subjective and discursive enterprise. The Urban Moorings Project is a group installation on the wetlands of Cootes Paradise. Artists Susan Detwiler, Noel Harding and David Acheson, Steve Mazza, and Tor Lukasik-Foss have created floating sculptures and gardens which are intended to question the nature of human industry and ecological preservation. Curator Nora Hutchinson describes the project as “travelling canvas, one that is ever changing…sun on calm waters extends and mirrors perfectly the sculptures and their reflections on the bay. Morning fog, dusk, and the terrible beauty of Hamilton’s factory plumes of smoke and fire play a part in this ineffable landscape. Culled into the visual frame of floating homes, there is the call of birds, the hush of wings and the sound of water lapping…”

Asked why Cootes Paradise was chosen, Hutchinson responds that when one is at Cootes, a “quiet beauty is experienced”. Hutchinson researched the history of the area, and decided that the artists would dialogue with a historical community of floating homes that was situated on the shores of Cootes prior to the 1950s. “Dubbed ‘Shacktown’ by the locals, the houses were built by workers so that they could live near their industrial workplaces. Their homes were mostly made with materials at hand – tin, tar, wood, brick. They built their homes on the water in order to easily respond to the pressures of urban development. When forced to move, they simply floated their homes upstream to a new location on the Bay. The second dialogue between the artworks and the location of Cootes Paradise, concerns the restoration efforts of the RBG to clean up the water and landscape of Cootes and to re-introduce native plants and fish. Responding to both historical and ecological issues, the artists' sculptures will be made mostly with pre -purposed materials and with a focus of using symbols for cleaning the water, to creating islands, and to address the post-industrial landscape.”

For the site, Tor Lukasik-Foss has created what he terms Viking Soliloquy Chair. Made from re-claimed oak, cedar, and mixed media, the chair transforms a sinking Viking ship into a piece of floating stage furniture useful for all manners of monologues and songs. Susan Detwiler will install a shelter frame in order to grow edible plants from household cleaning tools such as brooms, swiffers, and mops. In their piece entitled Romance Park for Endangered Turtles, Noel Harding and David Acheson have created a series of turtle basking platforms. Along with Water aeration and wetland plantings, the piece intends a theatrical stage upon which the terms of environmental engagement are to be interrogated.

For Steve Mazza, industry in Hamilton is examined as a fossil of the past which considers “what it means to live in an industrial city, in an industrial province, in a country that doesn’t seem to want to be industrial anymore”. His sculptural piece playfully engages with the notion that industrial endeavour is outdated and remains extent largely as an urban-scale museum somewhat invisible to the city’s hopes for future development and the dreams of individual citizens for a ‘perfect community’. Mazza’s industry is hermetically sealed in a greenhouse structure which suggests the need to remain conscious of the city’s past, which informs the present in both architectural and environmental terms.

Irene Loughlin of Hamilton Artists Inc expects that the public will respond in a positive manner to the installations. “This exhibition of sculptural art works is non-traditional in that it takes place outside of the gallery. A person might suddenly come across the artworks while strolling down a pathway in a walk at Princess Point. The strategy of placing art in a public place highlights the fact that art is part of our daily life and that art is a valuable part of our daily experience. The artworks respond to the elements, are reflected in the waters of Princess Point, and are affected by the wind... The installation becomes alive, pointing to the rich history of this historic site.”

Urban Moorings opens Saturday, June 21 at 1 pm at Princess Point in Cootes Paradise and will remain in place until August 5. An artist panel discussion follows at 6 pm June 26 at the McMaster Museum of Art. A film about endangered wetlands in Finn Slough, British Columbia will then be screened at Hamilton Artists Inc July 11 at 7 pm. Finally, a panel discussion between the artists involved in the project and the RGB will take place at the RGB auditorium on July 13 at 2 pm.

Hamilton Artists Inc presents URBAN MOORINGS
June 21 - August 5
Coots Paradise

Thursday, May 22, 2008

an open letter to Hamilton Police Services

As a language instructor who has worked at Mohawk and Columbia International colleges as well as McMaster University, I am deeply concerned with Mark Nimigan’s suggestion in last Wednesday’s Hamilton Spectator that Hamilton Police Services begin focussing on “clean[ing] up” the downtown core by arresting individuals who swear in public. If police are to be used as agents of the cultural hygiene policies of a few motivated bureaucrats, then an extremely dangerous precedent will have been set.

I wish to argue with Mr. Nimigan that Hamilton Police Services does not have the authority to arbitrate what use of language constitutes “vile” and “filthy”. Police forces are not semioticians, anthropologists, or linguists, and the public should not expect them to be trained in these fields. Not a single word can in and of itself be deemed either vile, filthy, or harmful to the public. The discursive contexts in which words can be deemed as harmful to the public interest are already covered by Canada’s Hate Speech laws. Any other curtailing of public speech treads on the rights of individuals to free speech as protected under the Charter of Rights.

When viewed in terms of his support for a project of cultural hygiene, Mr. Nimigan’s suggestion that entrepreneurs don’t want to “come downtown and open a restaurant or specialty shop given the atmosphere down there” is laughable at best. Mr. Nimigan’s suggestion that “taxpayers” and “little old ladies” are the victims of individuals whom the author views as undesirable for the core stinks of the elitist and fascist rhetoric which characterised the eugenics policies undertaken by authoritarian regimes throughout the 20th century. Mr. Nimigan, I wish to emphatically state to you that Hamilton’s poor national reputation will not find a solution in the forced removal of certain individuals from the city’s public sphere.

Two issues serve to keep many entrepreneurs from the core: blight and taxation. I wish to suggest that Hamilton Police Services be used to enforce property standards in the downtown core so that buildings are properly maintained as they are legally mandated by existing property by-laws. The collapse of the Balfour Building, which has seriously effected the operation and financial status of entrepreneurs on King William street such as Thai Memory, is the principal witness to the need for police enforcement of property standards. Furthermore, a redeployment of public health resources to aid in the core’s instances of drug abuse and mental health issues would be of benefit to the area’s atmosphere.

Entrepreneurs in the downtown core pay a higher proportion of municipal taxes as compared to suburban areas. It is largely for this reason that entrepreneurs chose to locate themselves along Hamilton’s expanding periphery rather than be contained within what should be a high-density downtown business area. As the periphery expands, Hamilton taxpayers in the core must bear the financial burden for the expansion of infrastructure – sewers, water, roads – that fuels suburban growth. The departure of stores from Jackson Square and the Eaton’s Centre have a great deal to do with this fact. Large department stores prefer suburban locations because they get free additions to their development plans.

Policies of cultural hygiene are misguided at best and more often signal a grossly-unjust disregard of the rights of individuals. Mr. Nimigan, if you wish to see the city face court challenges under sections 2b, 2c, and 24 of the Canadian Charter of Rights and Freedoms, then by all means please move forward with your plans to act as arbiter of cultural hygiene for the city of Hamilton.

Sunday, May 18, 2008

Thai Memory fundraiser @ Pepperjacks Café



Once known for its fantastic Victorian, Edwardian, and modern architecture, downtown Hamilton has been garnering some media attention south of the border for the degree to which city council has allowed its heritage to decay. The architectural legacy of the city of Hamilton was built with steel money. Now it seems that the decline of the industry parallelled city council’s conscious decision to feign blindness and neglect to enforce the property standards legislation already in place to protect older structures. The collapse of the Tivoli in the summer of 2004 marked the beginning of public awareness of this issue. More recently, the collapse and controversial demolition of the Balfour Building on the Lister Block suggests that the city endeavours to maintain its unstated policy of “Demolition by Neglect”.

One notable consequence of the Balfour’s tragic end is the economic plight of local businesses along King William. Where the city falters, small business people and grassroots community organizations have attempted to restore the downtown to its former glory. It is shameful that the city has repeatedly stressed the need for private enterprise to restore downtown and then allowed positive economic developments in the core to flounder as a result of council’s own inability to demonstrate the leadership necessitated by their legal mandate. After having a successful first year of operations, the Thai Memory restaurant, located adjacent to the Balfour site, has had to close as the demolition process slowly continues. The restaurant’s owners Toon and Pat Satasuk have worked very hard to ensure a top-flight dining experience. Now their efforts are stalled as the city finally begins to get its act together on this matter.

Positive communities do not neglect their member citizens. As such, Pepperjacks Café, also located on King William, is hosting a benefit concert on Friday evening to raise money to assist the Satasuks through this financially difficult transition. Performers include the very capable Sarah Good and Terra Lightfoot, Annie Shaw, legend-in-the-scene Mark Raymond, and the always-amusing Matt Jelly. DJ sets from Jeremy Greenspan of the Junior Boys and scene-stealer Gary Buttrum will keep your ass moving well into the evening hours.

Pepperjacks Café
Friday, May 23: 9 PM
38 King William Street

Monday, May 12, 2008

30 / 30 -- Thirty Years of Hamilton Artists Inc





This video was initially six metres wide by two and a half metres tall, and had separately-edited intertitles. The audio was initially presented in a three-channel discreet mono format with stereo music accompaniment.

Without prejudice toward the previous fifty, I am fond of the last twelve minutes of the video.

Now 30 / 30 can be watched in a crappy online version, taken from a DVD source that I made a year and a half ago. The text remains readable on lower-resolution monitors, but is a bit small for 1680 or 1920. Frankly, some sacrifices need to be made to ensure a large distribution with a minimal cost. Perhaps I will format this for a 60 by 90 pixel cellphone to make the film eminently portable and completely unwatchable. Then I would surely feel as though the video had "made it".

Notes from the DVD:

30 / 30
a video by Quintin Hewlett, done in 2006

30 / 30 is an impressionistic celebration of art as it is practised in the city of Hamilton, Ontario. The impetus for this video project was to document the 30th anniversary of Hamilton Artists Inc., which is one of the oldest and most influential artist-run centres in Canada.

Diverging memories, artist feuds, technical issues – the loss of the audio masters to the digital ether, a continuously degrading camera – and reluctant or reclusive participants served to obscure an easy description of the Inc.

A polyphonous dialogue emerged from the ruined attempt at linear narrative. It was decided that any representation of the Inc. would not be authentic if it did not attempt to contain the various agreements, innuendos, discord, observations, myths, and political positioning between the members of the Inc.’s democracy.

An interview between two artists of the Inc.’s “second generation” in the 1990s is the structural locus for 30 / 30. This interview was itself structured upon the board game Trouble, which was chosen to serve as an aesthetic distillation of the interview process as well as a gag intended for Inc. insiders, for whom the two players represent the “troubling” of the Inc. The filmmaker chose to himself participate by the rules of the game being played, typically in the form of camera movement and thematic juxtaposition between events in the game and images juxtaposed in the other video field.

The video ends with two gestures of disruption, one material and the other symbolic. Alternately, they are optimistic and pessimistic toward the future success of Hamilton Artists Inc. The filmmaker intended this ambivalence to avoid the principle difficulty inherent to any “career retrospective”, namely that the summation of past glories suggests a decidedly inglorious future.

The video here presented was initially formatted for a large-screen and wide-stereo-image presentation at the Hamilton Artist Inc. gallery for December 2005 and May 2006. Fonts and graphics were resized for better display on conventional televisions, and the audio has been reduced from one stereo background music source and three discreet mono interview sources to one stereo image. Headphone monitoring is highly recommended.

Monday, April 14, 2008

i woke up this morning as the ex-mayor was stealing my mail



I woke up this morning, made some tea, ate my breakfast and opened my front door to see that the ex-mayor of Hamilton Larry Di Ianni was rifling through my mail. We exchanged pleasantries, and he forced a campaign handbill upon me. He asked me the manner in which i employ myself, and after mentioning that i had taught for Mohawk and McMaster, he tried to bond with me by discussing his past as a teacher of high-school english. We laughed and talked about student life. Despite the fact that in his hand ex-Mayor of Hamilton Larry Di Ianni was holding several of my financial statements along with a notification of an unsolicited offer for a pre-approved mortgage and credit card and a flyer suggesting that now is the season for me to get my roof fixed, the day had started off pleasantly enough. I noticed that the letter at the top of the pile which he was holding was a phone bill.

When I asked Larry Di Ianni about specific policies in which i am interested -- high-speed rail from Windsor to Quebec City, light rail for the cities; all using Hamilton steel and jobs from the province's shrinking automotive sector -- he brushed me off and referred to the bullet points on his campaign poster. I was indeed impressed, as it did clearly and emphatically state that "He can do more! He will do more!"

I then asked him to clarify his environmental policies, with specific regard to the transportation needs of working Ontarians. He reminded me that he built the Red Hill Creek Expressway. I reminded him that i had met a few very personable individuals who sat in trees seeking to block construction of another highway through part of Hamilton. I further reminded him that it was a rather undemocratic idea for him to have used city lawyers to make the protestors financially liable for the security measures required to "contain" them. I then reminded him that one Matt Jelly had invited him to a public debate over the issue, and that he had refused to participate.

At this point, Larry Di Ianni put my mail back into my mailbox.

He told me that while we might disagree on traffic concerns, that his record for obtaining provincial funding for municipal social services and job creation speaks for itself, and proves that he will be a force for change if he is elected federally. After all, he can and will do more.

I quickly realized that ex-Mayor of Hamilton Larry Di Ianni was campaigning without a platform, and would only listen to those points which might already agree with Liberal policy. I mentioned the concern that i had for the inherent problems of integrating an economy based on resource extraction and speculative trading (with particular emphasis on energy futures) with the real-world environmental depreciation of many of the biological processes which are fundamental to the continuation of modern civilization as we have come to enjoy it. Food prices are getting as out-of-control as our nation's oil inventory.

Larry Di Ianni then expressed the Liberal party's desire to invest in "green technology", such as biofuels. He elequently explained his enthusiasm for this emerging industry. I agreed, but wondered how we could rationalize the fact that biofuel trades land intended for food with land intended for energy development, and that the poor and working families will naturally suffer as a result of exponentially-rising food and fuel costs. I also said that my grandfather had been a wheat farmer in Alberta, and wondered whether growing a field of plants to make enough biofuel to allow the combine and other harvesting equipment to harvest the field of plants intended for biofuel was a winning strategy in the race to sustainability.

Larry Di Ianni mentioned that he himself was about to be a grandfather. He noted the importance of family life, then bid me a good morning after saying that i was remarkably well informed for a young man who introduced himself as a friend of Matt Jelly. "You should work for my campaign!" he stated enthusiastically. I told him that I would come to his thing if he would come to mine, and I began to relay information about the May 9th New Harbours performance with Michael Snow. He said that he was always interested in the arts, but could not attend. Using his Blackberry, Larry Di Ianni quite eloquently confirmed to me that he had two stag parties to attend that evening. Then, after reminding me of a pleasant Red Hill Creek Expressway drive which he and Matt Jelly experienced, ex-Mayor Larry Di Ianni left me to my porch and tea.

Which got me to thinking.

Larry Di Ianni, I will take you up on this offer. I will work hard to get the youth voters onside with the Liberal party. I will smile for grandmothers everywhere, and dance like a monkey in a suit for the continuing benefit of the federal Liberal party. The federal Liberals were an effective and socially-minded governing party forty years ago, and perhaps some prodding from the youthfully militant will aid to rid the Liberals of their more dogmatically conservative impulses. Red is not normally my choice for political colours, but I would love the chance to help bring some real issues to public debate.

Of course, this would mean that I would have to work for a self-described "Man for All Reasons".

If anyone wishes to contact ex-Mayor, federal Liberal candidate, and enfant-terrible Larry Di Ianni, he can be reached at the following email address. Feel free to speak as liberally as possible when congratulating the ex-Mayor for his contributions to life in the city of Hamilton.

ldiianni@cogeco.ca

-----

Mr. Hewlett,

Thank you for sharing your thoughts with us. As you may know, Mr. Di Ianni was selected by your local Liberal riding association to represent the Liberal Party in the next election. As such, he enjoys the full support of the Leader and the Liberal Party of Canada.

Having said that, I have shared your comments with Mr. Di Ianni in the hopes that he can address your concerns personally.

Regards,

Daniel Lauzon

Directeur adjoint des communications / Deputy Director of Communications

Parti libéral du Canada / Liberal Party of Canada

-----

Quintin,

Imagine my shock at reading your letter, as well as the slanderous blog fabrication of the conversation we had on the front porch of your home.

Upon checking our records, my canvassing partner, who was standing just below the steps of your porch, recorded you as ‘possibly supportive’ after what I described to him as a friendly conversation. In fact, based on our exchange, I did ask you to volunteer during the election. I certainly would not have done that had I sensed your lack of support. So, I can only assume that your behaviour was duplicitous: pretending civility, while harbouring mischief. I have already asked my friend to alter our records, so we won’t bother you again.

I suppose when you told me that you were Matt Jelly’s friend, you were trying to give me a message. Because I have had very civil conversations with Mr. Jelly in our last encounters, I didn’t until now understand your true intent. I have no problems with people not supporting me. I do have problems with outright lies and fabrications. Your blog contains many of these untruths that reflect neither my statements to you or the tenor of our conversation.

You are correct on one count. My pamphlet is not a platform; it is a candidate card intended to introduce myself as a Liberal candidate for Hamilton East Stoney Creek to constituents. You will note that the card contains the following: My Experience; my community Involvement; my personal biography; some of my accomplishments in politics; and a testimonial assessment, from the local newspaper, on my abilities in office.

Nowhere does it include the Liberal Platform and the reason is simple. There is no election yet and the platform has not yet been released. At the doors, I do talk about the general themes that have attracted me to be a member of the Liberal Party and its candidate in this riding. These themes are: Infrastructure support for cities, Poverty Reduction, Manufacturing assistance, and Environmental Sustainability. Mr. Dion has talked about each of these over the past months, and details will be released at the appropriate time. Each of these is important to Hamilton and will be well-received when details are released.

Contrary to your exaggeration in the blog essay, I do recall your mention of rail transportation being important to you. I mentioned my support for this as well, and I have actually written about the need to improve in this area. Why you would mis-represent our conversation is mind-boggling.

What disappointed me most in your entry, however, is your slanderous lie about me taking your mail. How dare you? I know you stated in your letter to M. Dion that you had the intention of being ‘avec humour’, I see nothing humorous about accusing someone of such an intrusive act. I ask you out of decency to retract that allegation.

Common sense will tell everyone that I am knocking on doors to solicit support, not to pry into people’s private mail. The accusation is bizarre. My canvasser friend was flabbergasted when I told him about this allegation of yours, as was I.

In fact, as irony will have it, I have crossed paths with the local postman on more than one occasion as I knocked on doors in the neighbourhood and he and I joked about being on the same route.

Similarly, I have met with a good deal of support in your whole area, with people agreeing to take lawn signs during the campaign supporting my candidacy. I won’t reveal the number of signs to protect my campaign’s strategic position, but even on your street, I met with considerable success. I am sure that each of these residents can be called upon to summarize the content of our positive exchange, if need be.

In summary, Quentin, I have no problems with your support of someone else at election time. I do have problems with duplicity, exaggeration and mischief-making.

Larry Di Ianni, HESC Candidate

-----

Mr. Di Ianni,

In relation to the article which I posted on my blog, despite the funny title the heart of the matter is of course the number of political issues which I raised with you.

The matter of you "stealing my mail" was intended as humour, and was not intended to slander your reputation any further than what you yourself have done while Mayor of the city of Hamilton. I am fully aware that you had my mail in your hand with my phone bill on top simply because you were placing a campaign handbill into my mailbox.

Poetic exaggeration is key to satire.

After the strong-arm tactics which were used by yourself and your administration to push the Red Hill Creek Expressway into existence, I feel that you made yourself into a caricature worthy of some derision. With this in mind, I wrote that you "stole my mail". If I could draw a picture then you would have a big nose and funny facial features, but sadly I cannot do so. I hope you understand that no individual who read this post actually thought that you were stealing my mail for any devious purpose, and in conversation with them I did make it clear that you were just scattering handbills around the neighbourhood. My readers, as such, were more concerned with the fact that you did not have any adequate responses to the issues that I raised with you.

You suggest that since I disagreed with your statements, and yet was wholly civil during our conversation, that I acted in some way in a duplicitous manner. Well my mother ultimately taught me well: I believe that all humans deserve to be treated in a civil manner. You are a personable and generally friendly person, Mr. Di Ianni, and I do not wish to slander you as a person. Perhaps one day soon we could play chess together: as people. But you have to understand that politicians are not simply individuals. In their public function, the individual humanity of a public figure is abstracted into a more hybridized entity which shares an ontological space with creative enterprises -- the fiction of celebrity, if you will. It is with this "hybrid" that I dialogued when I wrote the piece on my blog. Words are words, Mr. Di Ianni. You have yours, and I have mine; we occupy the space in between our respective language. In transubstantive terms, neither of us is fully represented or constituted as individuals by them.

In my youth I was certainly more militant, and would likely have removed you from my porch with a litany of curses. Now that I have aged and grown a few beards, I have come to understand that change in civil society must come through peaceful and productive discourse. Of course, for this discourse to be productive, both parties in conversation must actually hear and understand what each other is saying.

It is with this last point that I believe my satirical article to have found its mark. Namely, you weren't listening to what I was saying, except for when it already agreed with aspects of your campaign. In your response you mention that we agreed when I raised the topic of light and high-speed rail to your attention. A clarification to your "agreement" is necessary. I must counter that I raised this particular issue at three different times during our brief chat, as for years I have been of the opinion that rail is the solution to Hamilton's highway problem. The first time I mentioned it, you started talking about your production as Mayor of Hamilton.

After the second time, when I explained the benefits to the Ontario manufacturing sector that such a project would entail, you mentioned that the Liberal party is the sole party which supports "Manufacturing Assistance". In my blog I mentioned that the only times in our conversation during which you seemed to be listening to the points that I was making occurred when my thoughts strayed into territory covered by the Liberal political platform. While I understand that the official platform is as yet unreleased by the Liberal party, you must agree that a certain political trajectory is quite readily visible to anyone who pays attention to federal politics.

The city of Hamilton is populated with a very high number of working-class families who will not be able to afford the oil required to transport themselves as gas prices continue to rise as oil supplies continue to fall (perhaps as a federally-appointed Liberal, you will come to see that oil production worldwide stagnated a few years ago and is now in decline). Perhaps if I had used the current buzzword LRT to describe my position on rail then you would have remembered the issue that I tried to have you remember. Rail development surely would have helped back in 2003, when Red Hill was peaking as an issue and Stelco was bottoming out. Plus, by taking on such a project Hamilton would have proved itself two years ahead of Al Gore's cinematic popularization of environmental issues.

Perhaps your confusion around the civility of my behaviour and the hostility of my actual statements to the ideologies which you represent is due to the fact that many of my opinions are frequently heard coming from the revolutionary left. Those who are forced closer to the margins of society -- including the protesters on whom you unleashed city lawyers to "recoup" the security costs of their containment -- do indeed make their ideas known in what can to more conservative eyes be described as "crazy". While I do believe that at times more vehement acts of political dissent are necessary, those times are only validated by larger social crises. I myself wish to take a more academic approach. It is with a certain perverse hope that, in the not-too-distant future, a legal team will be able to demonstrate your own financial liability in the matter, as the environmental costs of this development will be itemized as financial losses to the residents of the city of Hamilton.

Your support in the liberal party is assured; I can understand why you have been chosen as a candidate for Hamilton East as your success is a virtual inevitability. Right now the Liberals need some winners, and such is the life of party politics: pick the winners before the ideologies. For at least a few years, you will likely collect cheques as an MPP.

By the way Mr Di Ianni, I checked my own records, which due to my "single" status does not rely on a partner of canvases but rather my own memory. There was no canvassing partner present at the base of my stairs. You may indeed have been walking in the neighbourhood with one, but this person was not present during our conversation. Then again, I sat on my porch drinking tea for the next fifteen minutes and didn't see anyone catch up with you down my street. I assume that for the sake of expediency (not something for which the Liberals are known, by the way) your canvassing partner was busy canvassing a different street.

Perhaps we could test each other's memory: roughly three-and-a-half minutes into our conversation, there was a loud cheering sound in the neighbourhood. Pointing to a truck three doors down from me, I made a joke: "I trust that was from the school, and not the construction guys after having moved something heavy." You laughed then proffered your own joke. We laughed together. Mr. Di Ianni, having canvassed those houses, you had just come from that direction and your joke corrected my statement. They were not construction guys at all. Do you remember your own statement, which correctly described the work and the workers? I certainly do, and perhaps your response will authenticate which person's ability to remember allows a more "truthful" version of events that spring morning.

It may come to pass that I am wrong about your potential as MPP. Perhaps by then you will have come to understand such concepts as "sustainable development", "peak oil", and "suburban sprawl". Until then, your legacy remains tied to the Red Hill Creek Expressway which, while of short-term economic benefit to some people, will be a grey stain on the landscape of Hamilton for decades to come.

If such is mischief-making, then I stand properly accused.

q x

-----

Thank you for your reply. I am familiar with satire, Quintin, and still don’t find your headline humourous or satirical. Obviously neither did some of your friends who had to call to ask if I was really stealing mail. You sort of prove my point. At some appropriate moment, perhaps we can talk in detail about each of your assertions about the road, my motives and my legacy in the city, as well as the protesters and the role of the city in resolving that issue. It would require some time to do that.

I do appreciate civility and always return the courtesy. You are obviously a bright, educated young man and would be deserving of some time.

However, you have reached conclusions based on your own biases, not the record. And that can be the subject of our discussion. The only concern I would have is that you might again publish an exaggeration, or fabrication or satirical version of the conversation without giving me the opportunity to rebut on your blog. Perhaps we can invite some listeners to hear the conversation, just to keep it on the record. I say this without any implied formality…I would want it to be very informal.

A second point, I am running Federally, not provincially (so MP, not MPP). I hope to win based on a record of service, but ultimately, our voters will decide; and I’m ready for their decision and will respect it.

As for my canvassing friend. He is only there to keep records, so he doesn’t do other streets. I am going to every door myself in this pre-writ period and he was there, rest assured.

I will alter my approach, however, and bring him to the doors with me from now on.

Again, I appreciate your response and ask again that you alter your offensive headline on your blog, or at least make it obvious that you are taking ‘poetic’ liberties.

Thank you.

Larry Di Ianni, HESC Candidate

Wednesday, September 19, 2007

slightly open letter to John Baird, Canada's apparent Minister to the Environment

Hey kids! Here's a fun activity! Click the photograph below to send your thoughts to John Baird, who is supposed to be Minister of the Environment. Of course, there are several meanings to the word "minister":

min·is·ter /ˈmɪnəstər/ Pronunciation[min-uh-ster]
–noun
1. a person authorized to conduct religious worship; member of the clergy; pastor.
2. a person authorized to administer sacraments, as at Mass.
3. a person appointed by or under the authority of a sovereign or head of a government to some high office of state, esp. to that of head of an administrative department: the minister of finance.
4. a diplomatic representative accredited by one government to another and ranking next below an ambassador. Compare envoy1 (def. 1).
5. a person acting as the agent or instrument of another.
–verb (used with object)
6. to administer or apply: to minister the last rites.
7. Archaic. to furnish; supply.
–verb (used without object)
8. to perform the functions of a religious minister.
9. to give service, care, or aid; attend, as to wants or necessities.: to minister to the needs of the hungry.
10. to contribute, as to comfort or happiness.

answer, tend, oblige.

Dictionary.com Unabridged (v 1.1)
Based on the Random House Unabridged Dictionary, © Random House, Inc. 2006.

Of course none of these definitions -- with the possible exception of a loose interpretation of numbers 3. and 6. -- apply to John Baird in relation to the environment.


bairdj@parl.gc.ca>

Honourable John Baird
Minister of the Environment


Dear Minister Baird,

Despite your continued denial of the legal realities behind Canada's participation in the Kyoto protocol, the Canadian public will see that our legal obligations be met. Either this process involves your Conservative government, or your party will be held accountable at the next election.

At some point in the near future the Conservative party will begin to understand what many leading economists have said for years: the environment is the economy. Please come to the realization that short-term capital gains will be irrevocably lost as the expenses associated with climate change and environmental degradation mount to precipitous levels. For the sake of your own future accountability, start listening to what climate scientists such as James E. Hansen and economists such as Sir Nicholas Sterne are saying.

Mr. Baird, if you do nothing to address this problem in the short term, the legacy of your term as Environment Minister will consist solely of a tax file recording the income you received from your brief tenure. Your name will be forgotten along with that of every other martyr to the introversions of blind business interests. I am appealing now to your vanity: do you not wish to be thought of more highly than as a smiling business lackey who has repeatedly proved inept at and ignorant to the understanding of the science associated with the environment.

I am writing to provide you with my comments on your department's recently published "Climate Change Plan for the Purposes of the Kyoto Protocol Implementation Act 2007".

I must remind you of your obligation to obey the laws of Canada. The Kyoto Protocol Implementation Act requires you to produce a plan to honour Canada's obligations under the Kyoto Protocol to reduce Canada's greenhouse gas emissions to an average of 6% below the 1990 emission levels between 2008 and 2012.

Although the "Climate Change Plan" lists numerous small steps to curb the growth in Canada's emissions, your plan foresees Canada missing the 2008-2012 Kyoto target by a wide margin, and in fact not reaching the target level until sometime after 2020. Under your approach, regulations on heavy industry - the source of almost half of Canada's greenhouse gas pollution - will not come into effect until 2010, and even then they fail to set a binding cap on industrial emissions.

Minister, you have promised to make your "best efforts" toward Kyoto. No one could read your plan and call this the best that Canada can do. Your plan fails the test that the law sets out, which is to honour Canada's Kyoto commitment.

I realize this is a difficult and demanding task, but it is the law, and it is your responsibility to uphold the law. The climate crisis is too grave to allow any more time to be wasted. We need you to take real action now.

Sincerely,

Quintin Hewlett

Wednesday, March 28, 2007

Fossils + Boughner @ Loose Cannon



Wednesday, March 28 was supposed to be one of the landmark nights for the Hamilton noise scene. Local acts were to be joined by genre stalwarts Prurient and Burning Star Core. Thanks to the whims of the border agencies which kept the headliners from entering Canada (obscenity laws!!!), only the local acts were able to perform. Despite the logistical chaos of a wholly improvised show, the evening's performance proved solid enough. Fossils (David Payne, Scott Johnson, and Jeremy Buchan) & Matthew Boughner were able to invoke a variety of harsh soundscapes throughout their short but inspired set.





Sadly, my attempt to preserve an aural record of the evening was foiled by the incapacity of my $2 microphone to not be overdriven simply by the volume of the performance. The MP3 file below requires explanation, as the recording process did indeed alter the sound. First off, I was using a Creative Zen, which records and compresses data to MP3 in real time. To dampen the sound and keep the crappy vocal mic from distorting, I placed the recorder inside a cloth bag, which I then covered with my jacket and some random pieces of clothing that I found on the floor. Furthermore, I used my arm to cover this whole mound of crap for the duration of the recording. Despite my hand and at least five centimetres of cloth in the way, the volume level produced during the performance was enough to overdrive my microphone to the point of distortion. Since I was actually at the show, this new "filter" on the sound is an interesting addition to what was heard that night, and serves as a nice reminder of the aesthetic divergence of performance and the process of archiving. For those of you who were not there, consider this audio file to be tangental to the live performance, and in no way indicative of how the musicians wanted themselves to be heard.

You have been warned / invited to listen.

MP3: - Fossils, live @ Loose Cannon (compressed and contained through a voice recorder direct to MP3)

Monday, December 18, 2006

Junior Boys at Pepperjack Café



Hamilton has proven itself quite capable of producing a diverse array of musical performers. Many local acts have come to define their respective genres. And yet the most popular -- pop music, itself -- is the one area in which Hamilton’s music scene remains relatively obscure. The city has come to be known for its noise, art-rock, hardcore, drone, indie, and various other forms of good independent music. But a Top-40 hit has been largely elusive for the Steel’s musicians.

Enter the Junior Boys, who produce synth-heavy pop with sentimental lyrics and a vocal presence that has more than a passing nod-and-a-wink to Faith-era George Michael. If it weren’t for the digital complexities in their production, you might assume their music to be a post-New Wave revivalist act. In that difference, however, can be found the true pleasure of their music. Like the decade’s other great electronic music producers, Junior Boys realize that a subtle tempo shift, a beat seemingly misplaced, or a glitch made rhythmic are key to bringing out a sense of sensuality in machine-based music.

The rapid success of 2004's Last Exit was precipitated largely thanks to the online music scene, as critics and bloggers devoured some of the freshest beat production of that year’s pop music revival. It was no surprise that Junior Boys embarked on extensive overseas touring for the year following the first full-length.

Despite the band’s hipster-name-drop status, recognition remains somewhat elusive in this country. Perhaps it is mainstream Canada’s predilection for mind-numbing, recycled bar rock and painful, faux-sexuality teen-pop that’s keeping Junior Boys off the radio.

Junior Boys co-founder and principal sonic architect Jeremy Greenspan reflects on the genesis of this year’s critically-lauded album So This Is Goodbye. “A lot of the new album deals with travel, and the feelings of disorientation, etc, that go along with that. I guess some of that has to do with all of the travelling that we did on the first record. Touring has obviously become a big part of our lives and all of those experiences are bound to be reflected in the new music that we've been making.”

This last statement brings to mind how pop music responds to the world which consumes it. Are creative people destined to a sense of responsibility to society? More importantly, does it even matter to have a “meaning” behind pop music other than the fact that a given group of people like it for a given amount of time?

“Pop music is ultimately an incredibly malleable art form,” Greenspan muses. “The thing that is best about making pop music is that there are no rules. All that is important is that it moves people, in some way, and that people want to listen to it over and over, and beyond that a musician is free to experiment as much as possible. That can be extremely liberating.”

Typical for musicians who compose in a studio setting, the Junior Boys live experience has evolved significantly since the first tour. “I think we've become much more comfortable as a live unit. We take playing live far more seriously than we used to, even though we still think of ourselves as a sorta "studio band". It is far more interesting for us now that we have added a third member (Dave Foster on drums) to our live lineup. Dave adds a lot to the shows.” The addition of a live drummer should prove particularly invigorating to the rather introspective direction that the new music has taken.

Pepperjack Café, the venue which is hosting the band’s performance on December 26, is no stranger to audiences who seek danceable performers. Even with a packed room, there is space to move if one is so inspired. Greenspan is candid about his appreciation of the local scene: “The last time we played in Hamilton, we had a great time. It was the first show that we did with our new lineup and we were pretty nervous. Luckily the show was a big success, and hopefully the next show will go just as well.” Rising scene-stealer Gary Buttrum will be on-hand with one of the better DJ mixes being produced these days, providing yet another reason to attend early and leave well into the night.

MP3: Junior Boys - So This Is Goodbye